Tuesday, July 10, 2007

MOST OVERLOOKED FILM OF 2006

At the risk of sounding like an old fart--which is little risk at all, since I usually do!--there's precious little in film comedies these days for thinking adults (versus protracted adolescents). And why would there be? Folks who are entertained by reading and by Bill Moyers don't spend as much time or money at the movies these days. (HAROLD AND KUMAR GO TO WHITE CASTLE, anyone? Not a slam, mind you--I haven't even seen it.) But the fact is that an intellectual, literate comedy is generally not what brings them in by the carload to the local box office. Stars, therefore, go slumming in "art house" films when they want to do something presumably more thoughtful, taking a cut in pay in order to save their souls (so to speak).

The effect when that film is a) risky in style, b) released by a major studio on a larger scale, and c) literate (God help us) is more chilling than the air-conditioning in a freezing multiplex. Sometimes the film itself doesn't really work--RUNNING WITH SCISSORS, for example, despite some wonderful work by Annette Benning and especially Jill Clayburgh. (If you can get past some serious tonality problems, this is a fun flick for a weekend night in front of the home tube.) And the word of mouth on the star-laden EVENING from the pens of Susan Minot and Michael Cunningham is deadly. But sometimes, a marvellous film was just in the wrong place at the wrong time and no one knew what to do with it--but they went ahead and made it anyhow. Sometimes the right things just happen, even for the wrong reasons.

And so my nominee for most overlooked, most ignored, and perhaps most undiscovered gem of 2006--and thereby now available on cable and on-demand in 2007, is . . .

STRANGER THAN FICTION.

See, many of you don't even remember the title. But under the direction of Marc Forster (MONSTER'S BALL, FINDING NEVERLAND, and the forthcoming KITE RUNNERS), a diverse team of actors (Will Ferrell, Maggie Gyllenhaal, Dustin Hoffman, Emma Thompson, and Queen Latifah, among others) turn in wonderfully honest and engaging performances in a truly different and thought-provoking (but never knee-slapping) comedy.

Will Ferrell (who's done his share of populist comedies plus a few under the radar indies) is marvellously sweet and understated as Harold Crick, an IRS auditor living a mundane life--until he suddenly hears his life being narrated by an unidentified female narrator. He realizes he is a character in her book (even though he's actually alive and real), and while he is at first annoyed by her commentary and her familiarity with his mundane habits, he becomes alarmed when she speaks of his imminent demise! After consulting two different psychologists (Linda Hunt and Tom Hulce in lovely cameos), he ends up with a literature professor, played with charming discretion by Dustin Hoffman, in an attempt to track down just whose book he is habituating. (We are already ahead of him by this point, as blocked writer Emma Thompson has shown us her dilemma in trying to figure out just HOW to kill off Harold Crick under the watchful eye of her publisher-assigned assistant, Queen Latifah.) And wouldn't you know that all of this pressure would happen just at the point when Harold's life may change, thanks to a protesting, tax-evading baker (Ms. Gyllenhaal)?

I can't tell you more. Or I'd have to kill you. I can tell you that you will identify with Harold, as we are all the central characters of our own stories. This is not a new idea, to be sure, but the various takes on it in STRANGER THAN FICTION are achieved with charm and flair, and the film raises questions that will have you scratching your head about your own life. And when the company is this enjoyable, it makes for a lovely ride. Forster's touch never falters nor hits a wrong note, resulting in a whimsical but not annoying tale that takes you on a most enjoyable ride.

Overlooked in 2006? You bet (despite some awards for screenplay and a few passing nods for Ferrell and Thompson). But then, if there weren't overlooked films at the Box Office, we'd never have those little gems to discover on the quiet nights at home. So now's the time to catch up.

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